Tristram Shandy has always deserved a design innovative enough to match its plot--and now one of the funnest, funniest, and singularly modern novels (which just so happens to have been written 250 years ago) has found its ideal form.
And while Leonardo's definition of sculpture as "taking away superfluous materials" may not hold true in the following case, Jonathan Safran Foer's sculptural reworking of Bruno Schulz's Street of Crocodiles, certainly proves that the book as an object is far from dead.
Both J.S.F.'s Tree of Codes and Tristram Shandy are, of course, in stock now.