Showing posts with label banksy. Show all posts
Showing posts with label banksy. Show all posts

The Destruction of Banksy's Work Is A Good Thing


If you haven't heard, the Bristol street artist Banksy is in New York City this month putting on an outdoor art show of sorts titled "Better Out Than In". Local taggers and graffiti artist seeking attention and the need to protect their own "turf" have been going over Banksy's work about as soon as it's put up.

It's frustrating to know that Banksy's work will not last long enough for me to ever travel to NYC and see it in person. If it's not the attention whore taggers writing over it, it's the city itself washing it away. But, that's the understanding that every street artist has. They have a detachment from their own work because they know it will not last forever. It's not meant to. Even if it survives the defacers and pressure washers, it will fade away due the rain, sun, and wind. What makes so many pieces special, is that it is there for only a brief moment in time.

Still, there is a bigger enemy to Banksy's art. It's those who take the pieces from the streets to sell and profit for themselves. Some people label him a "sell-out" because of his commercial success, but if he's getting paid for work he's done and someone wants to give him $1 million for it, then good for him. If someone who had nothing to do with the work gets paid even $1 for it, well, I don't think theres even an argument to be made why that's not completely stupid. (On a related note, some douches were guarding the beaver on Bradford St and charging people to see it.)

All the people who feel the need to paint their name over his work to in some way teach him a lesson or for their own recognition, are doing Banksy a favor. If it's defaced then there is no value. The piece actually is protected in that way. For that reason I'll probably never see a NYC Banksy in person, but I would rather look at photos of them than know some jackass lifted it from the streets and sold it to some other jackass art collector.


In Response to Craig Ward's Response to Banksy

I feel a bit silly about defending someone who really needs no defending. I believe Banksy is one of the best artist, not just of our generation, but of all time. (For now, ill leave it at that.) The stencil letter "M" in my logo is a tip of the hat to him (though also a common general street art aesthetic); his black and white stencil style. So as you can imagine, ill side with Banksy in a lot of issues, not blindly just because i like his work, but because we have the same views on a lot of issues and i strongly connect with his artistic ideas.

Banksy gives his take on advertising
Thats a link to an article where Banksy goes on a little about "Brandalism" (which ive written about before) that was in his book Wall and Piece. So what would an artist who thrives on controversy be without a little more controversy? Banksy is a little over the top but, like his work, you cant take his words at face value. Theres something deeper to them and if you only glance at it, you'll miss the point. Enter Craig Ward, who wrote a response here:

First, i cant say Craig is "wrong" exactly, he makes many valid points. I mean, how is a street artist who ask no one for permission to do their art which is displayed in public not supposed to sound hypocritical when bashing advertisers on "brandalism"? Craig makes the paralel of Banksy's art and advertising writing

Now, as far as I see it, the very act of putting your work in the public eye – say on walls, street corners, in alleyways and underpasses etc – is, effectively advertising it by virtue of people being able to see it at all. Exposure is advertising. And unless I’m much mistaken, the only product you’re selling is yourself.

The last time I checked, The Advertisers at least had to pay a lot of money to use the public spaces that their wares occupy – unlike yourself who has decided to remove yourself from that model in the name of art and anti capitalism.


The problem i have here is that Banksy isnt advertising himself via artwork. I can see the other side sure, the more work he does the more his name stays relevant and that work may be protected by the city (making it a permanent fixture) or he can continue selling other pieces at over $1 million. But again, thats at face value and only the icing on the cake for Banksy. You're missing the point if you dont see the message. His work is mostly inspired by social injustice and world problems (war), mixed in with a good bit of humour. His work dosent call attention to himself (as jealous, attention seeking, tag-thugs such as Robbo are concerned with) but is there to make you think, to make you notice something important. Thats not what McDonalds does with a billboard. i dont believe Banksy is quite as anti-capitalism as his work at first glance suggest. i believe he is anti-bad art, and anti-bad product. He dosnt take on the products and people who do good in the world, but has issues with those who sell you poison and if you think fast food is anything less, you're sadly mistaken.




Mr Ward goes on to say

Another criticism often leveled at advertising is that it steals from artists and plagiarises ideas, where as your work is merely ‘inspired’ by one artist; Blek Le Rat. Which I guess is OK. And the fact that you’ve made a comfortable living from it is also fine. I feel like it’s a convenient irony though that the only people who can now afford to own your work are the ad-land Creative Directors and City boys that you so eagerly rail against, while at the same time selling your own brand of rebellious, anti-establishment cool.


Craig's criticism i mostly just disagree with, except with this part where i think he is simply wrong. Blek le Rat and Banksy had the same problem, and Blek was first to find the proper solution. Banksy had no need to reinvent the wheel here. They wanted to be able to post their art so it read clearly and most importantly could be applied quickly. the black and white stencil (sometimes a wheatpaste) was a simple and convenient answer. Banksy has never been about style or great craft, he's about communicating messages. These two guys are certainly not the only two to use this technique, in fact i would say most street artist at least start out with black stencils or wheat paste. As for "selling his brand", yea i probably agree with that. Banksy's go for $1million at auction now. But i dont see that "cheapening" his work. He does seem to have a great sence of humour so Banksy may just be talking about himself now when he does something like this. . .


Im fine with that. because the art dosent hold any less truth then it would if he were a homeless bum. Banksy is all about the message.

As a child of the 80′s I grew up surrounded by cigarette advertising, yet I’ve never bought a pack in my life. I’ve seen car ads every day for 30 years and I’ve never bought one of those either. That’s as much as I can say about myself, but its clear to me that you’re ignoring the fact that people have a choice in what they buy – if they buy anything at all – and that they actually like buying things. They work hard for a living and purchasing something other than basic food, utilities or clothing gives them a sense of achievement; that their hard work has paid off in some capacity.


Its true, you dont have to buy everything you're advertised by, but thats not to say it isnt effective. How many times do you see an ad for something (taco Bell late at night) then decide you want it? advertising works, and no one is immune to it. Look closer at Banksy's work. When he takes on McDonald's its usually featuring children. And the message is right.

Regarding ‘the most sophisticated technology the world has ever seen’ that you mention, you must be referring to the office fax machine? Having seen agency life, I can attest that there’s nothing Machiavellian going on; no illuminated map of the globe and no sinister plot to take over the world; just a bunch of people trying to make a living.


i believe Banksy was referring to the technology we use to make advertising on the technology we use to view it. Its all wasted on garbage and things that really have no value. You can live without an Audi, an iPhone, a Big Mac, etc. These things are truely not important for a happy and just life. This is coming from a guy who takes on racism, gay rights, and "the man" with a concrete wall and paint. To see his disdain for the bombardment of capitalist advertising is clear to me. He also talks a lot about "wasted potentiel". I think thats what he's referring to here as well.

Banksy, keep doing what you're doing. The impact you've made on the world is far more important than anyone in advertising has done. People who recognize the messages and ideas of your work, and who have felt something from it (much better than food poisoning) will probably agree, its worth a million dollars.

UPDATE: its all been resolved between the two: article link



Brandalism



Its always seemed odd to me that i would have such an interest in branding and advertising. Im rebellious in nature, the type that wants to do the opposite of what im told and mocks authority, rules, and played out traditions. So to be really drawn to a world that preaches a message to a wide audience of others (advertising) and helps people take other peoples money and making them feel good about it (branding) has been perplexing. For the longest time i havent been able to figure out why this is. How could i find "brandalism" so disgusting and corruptive, but still want to bring these things to other people and enjoy it?

I believe now what draws my artistic interest to all this is control. Or better yet a chance to change things for the better. I think it was Milton Glazer who said something like "a designers job is to fight against ugliness". Thats why i like branding so much, because as a freelance designer you get to take on the clients and projects you want. You get to start with good people, with a good message and product. Then, you get to make their identity look badass. You dont have to accept the job from some sleazy douche bag with shitty product whose entire message/campaign is based on a fallacy.

When i can work with people who genuinely care about their customers and making a positive impact on the world, thats when i love what i do the most. Those who want to push some status quo are even better. Those people make the world a better place and i like making other people aware of them through art and design. Thats the whole control aspect of it for me. When i see a fast food billboard advertising some bullshit "made with real" product on the same block as an elementary school, thats when i get pissed and despise advertising and branding. Thats "brandalism". And fuck that.